During the Middle Ages (a period of European history from the third
through 13th centuries), art and learning were centered on the church
and religion. But at the start of the 14th century, people became less
interested in thinking about God, heaven and the saints, and more
interested in thinking about themselves, their surroundings and their
everyday lives. Part of this change was influenced by the study of
ancient Greek and Roman writings on scientific matters, government,
philosophy, and art. When scholars during the Renaissance began to study
these writings, their interests turned away from traditional areas of
study such as religion, medicine and the law. The people of the
Renaissance became interested in other areas of science, the natural
world, biology and astronomy. People now studied mathematics,
engineering, and architecture. Artists, writers, musicians and composers
began creating work outside of the church. Artists signed their work
and authors wrote autobiographies and memoirs — stories about
themselves.
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The values and ideals popular during the European Renaissance can be described by the term secular humanism: secular, meaning not religious and humanism, meaning placing the study and progress of human nature at the center of interests.
The rise of Humanism can be seen in paintings created by Renaissance artists. During the Middle Ages, saints in paintings wore halos (a ring or circle of light) around their heads. Artists also used hieratic scale in paintings during the Middle Ages, making saints or members of the family of God larger in scale than ordinary or less important figures. As Humanism became more popular during the Renaissance, ordinary people grew to be the same size as saints in paintings and saints began to look more like ordinary people. For example, halos became fainter and eventually disappeared during the Renaissance.
Saints occupied the same landscape as ordinary people in Renaissance paintings and the landscape was earth instead of heaven. In the Middle Ages it was common for artists to represent figures of heaven against a gold background, a symbol for the beauty and value of the atmosphere of heaven. As Renaissance artists experimented with new Humanist ideas, the natural landscape began to appear as a background in paintings. Saints left their golden atmosphere to occupy the same gardens, forests and buildings that everyday people lived in.
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During the Renaissance, the use mathematical perspective to represent space in paintings was invented. Earlier attempts at representing space often resulted in furniture or buildings that look just a little "off." Using mathematical formulas, instead of just the human eye, gave artists new tools to represent three-dimensional space in a convincing way. Renaissance paintings began to give the impression that the frame around the painting was a window frame, and looking at the painting was like looking through a window.
Artists began to use oil paints for the first time during the Renaissance. In the Middle Ages, egg tempera was used most widely. Mixing egg yolks with pigments made egg tempera and artists made their own paints. Egg tempera dried quickly and created a flat, rough surface. Oil paint was invented in the early 15th century and created great excitement among Renaissance artists. Oil paint dried slowly, and was translucent, meaning light could shine through the paint. The characteristics of oil paint allowed artists to build layers of color and create paintings with the appearance of greater depth.
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